DEVONSHIRE STREET
The heavy mahogany door with its wrought-iron screen
Shuts. And the sound is rich, sympathetic, discreet.
The sun still shines on this eighteenth-century scene
With Edwardian faience adornments - Devonshire Street.
No hope. And the X-ray photographs under his arm
Confirm the message. His wife stands timidly by.
The opposite brick-built house looks lofty and calm
Its chimneys steady against a mackerel sky.
No hope. And the iron knob of this palisade
So cold to the touch, is luckier now than he
'Oh merciless, hurrying Londoners! Why was I made
For the long and the painful deathbed coming to me?'
She puts her fingers in his as, loving and silly,
At long-past Kensington dances she used to do
'It's cheaper to take the tube to Piccadilly
And then we can catch a nineteen or a twenty-two.'
John Betjeman
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